French romantic music characteristics

2019-12-13 09:14

The direct expression of the artist's persona. In sculpture artists often used exaggerated, almost operatic, poses and groupings that implied great emotion. This approach to art, interpreted as a direct expression of the artists personaor geniusreflected the French Romantic emphasis on unregulated passions.The Background of the Romantic Movement in French Music Created Date: Z french romantic music characteristics

Aug 25, 2019 Romanticism describes an artistic and intellectual movement that started in the latter part of the 18th century and had a powerful effect on many areas of art, literature, music, and thought. The characteristics of Romanticism include a focus on strong emotion, awe of nature, and a break from following rigid structure.

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Another French encyclopedia holds that the German temperament generally can be described as the deep and diverse action of romanticism on German musicians , and that there is only one true representative of Romanticism in French music, Hector Berlioz, while in Italy, the sole great name of musical Romanticism is Giuseppe Verdi, a sort of

Late Romanticism. Mahler and Strauss wrote in a Romantic style, into the 20th century. Richard Strauss' 'Also Sprach Zarathustra written in 1896, is an example of later romanticism. The Main Characteristics of Romantic Music. Freedom of form and design. It was more personal and emotional.

In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The earliest known sound recording device in the world, the phonautograph, was patented in France by douardLon Scott de Martinville in 1857.

The term French Music is used here in its broadest cultural sense to include all geographical areas within the influence of the French language and some composers of nonFrench origin who worked in France. . The earliest French influence on Western music is found in the plainsong of the Christian Church. It is believed that Gregorian chant as it is known today is an 8th or 9thcentury Gallican

The greatest French Romantic painter was Eugne Delacroix, who is notable for his free and expressive brushwork, his rich and sensuous use of colour, his dynamic compositions, and his exotic and adventurous subject matter, ranging from North African Arab life to revolutionary politics at home.

Some general characteristics of Romantic Music are: MELODY: Long, lyrical melodies with irregular phrases; Wide, somewhat angular skips; extensive use of chromaticism; vivid contrasts; a variety of melodic ideas within one movement. RHYTHM: Frequent changes in both tempo and time signatures.

Although Rousseaus La Nouvelle Hlose (1760), Macphersons Poems of Ossian (1765) and Goethes Die Leiden des jungen Werther (1774) had heralded a new, preRomantic sensibility, it was not until the generation of Berlioz, brandishing as its manifesto the Symphonie fantastique (1830), that Romanticism truly made its presence felt in French music. And yet early nineteenthcentury writings those of the

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Mlodie, (French: melody), the accompanied French art song of the 19th and 20th centuries. Following the model of the German Lied, the 19thcentury mlodie was usually a setting of a serious lyric poem for solo voice and piano that recognizably combined and unified the poetic and musical forms.

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